Essays

The 2015 Egyptian National Theatre Festival

The 2015 Egyptian National Theatre Festival
By Dalia Basiouny
Arab StagesVolume 2, Number 1 (Fall 2015)
©2015 by Martin E. Segal Theatre Center Publications

The Egyptian National Theatre Festival started its eighth iteration with a full fare of …

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Tayeb Saddiki and the Re-invention of Tradition in Contemporary Moroccan Theatre: An Obituary

Tayeb Saddiki and the Re-invention of Tradition
in Contemporary Moroccan Theatre
An Obituary by Khalid Amine & Marvin Carlson
Arab Stages, Volume 2, Number 2 (Spring 2016)
©2016 by Martin E. Segal Theatre Center Publication

Tayeb Saddiki (1938- 2016) was …

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Editors Note: Nehad Selaiha

Editors Note: Nehad Selaiha 
By Marvin Carlson
Arab Stages, Volume 6, Nehad Selaiha Memorial Issue (Spring, 2017)
©2017 by Martin E. Segal Theatre Center Publication

On January 6, 2017, the Arab theatre world lost one of its best-known, beloved, …

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Damascus Theater Laboratory

Damascus Theatre Lab
Damascus Theater Laboratory
By Waseem Al Sharqy
Translated by Meriem Harbi
Arab StagesVolume 2, Number 1 (Fall 2015)
©2015 by Martin E. Segal Theatre Center Publications

A Long Theater’s Journey Into Night

“There will come a time when …

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The Local Otherness: Theatre Houses in the United Arab Emirates

The Local Otherness: Theatre Houses in the
United Arab Emirates 
By Ziad Adwan
Arab Stages, Volume 2, Number 2 (Spring 2016)
©2016 by Martin E. Segal Theatre Center Publications

Abstract

This article examines the function of theatre houses in the …

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A Place Under the Sun: To Be or Not to Be? The Question of the “Fringe” (1990)

A Place Under the Sun To Be or Not to Be? The Question of the “Fringe” (1990)
By Nehad Selaiha
Arab Stages, Volume 6, Nehad Selaiha Memorial Issue (Spring, 2017)
©2017 by Martin E. Segal Theatre Center Publication

Last …

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Theatre Elsewhere: The Dialogues of Alterity

Theatre Elsewhere: The Dialogues of Alterity
By Sepideh Shokri Poori
Arab Stages, Volume 8 (Spring, 2018) 
©2018 by Martin E. Segal Theatre Center Publications

The questioning nature of human beings has challenged theatre for a long. Therefore, more than any …

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Humanism through performative arts: A comparative study of My Papers Weren’t Done? and Zapi Rouge

 

In recent years, political migration has been one of the hottest topics in international politics. Its real moral complexity is often bypassed in the rush to make various nationalist assertions, while the pervasive media coverage spreads continuous quick images …

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The Birth of Modern Iraqi Theatre: Church Drama in Mosul in the Late Nineteenth Century

The Birth of Modern Iraqi Theatre: 
Church Drama in Mosul in the Late Nineteenth Century
By Amir Al-Azraki and James Al-Shamma
Arab StagesVolume 2, Number 1 (Fall 2015)
©2015 by Martin E. Segal Theatre Center Publications

Western-style theatre …

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Yussef El Guindi’s Arab Spring: Revolutions, Upheavals, and Critical Critiques

Yussef El Guindi’s Arab Spring: Revolutions,
Upheavals, and Critical Critiques 
By Michael Malek Najjar 
Arab StagesVolume 2, Number 2 (Spring 2016) 
©2016 by Martin E. Segal Theatre Center Publications

Egyptian-American playwright Yussef El Guindi is arguably the most …

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Women Playwrights in Egypt (1993)

Women Playwrights in Egypt (1993)
By Nehad Selaiha
Arab Stages, Volume 6, Nehad Selaiha Memorial Issue (Spring, 2017)
©2017 by Martin E. Segal Theatre Center Publication

The list of women playwrights in Egypt is depressingly short. When you have …

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Contemporary Arab Diasporic Plays and Productions in Europe and the United States

Contemporary Arab Diasporic Plays and Productions in Europe and the United States
By Marvin Carlson
Arab Stages, Volume 8 (Spring, 2018) 
©2018 by Martin E. Segal Theatre Center Publications

During the twenty-first century, with an increasing interest in the Arab …

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Parsing Disgraced : An Assault, A Critique, and A Truce

Parsing Disgraced: An Assault, A Critique, and A Truce 
By Jamil Khoury 
Arab Stages, Volume 2, Number 2 (Spring 2016) 
©2016 by Martin E. Segal Theatre Center Publication

The staff at Silk Road Rising crafted a set of questions …

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Theatre as an Optimistic Political Act: Lebanese Theatre Artist Sahar Assaf

Theatre as an Optimistic Political Act:
Lebanese Theatre Artist Sahar Assaf
By Michael Malek Najjar
Arab StagesVolume 2, Number 1 (Fall 2015)
©2015 by Martin E. Segal Theatre Center Publications

Lebanese actress, director, and theatre professor Sahar Assaf …

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On Ayad Akhtar’s Disgraced

On Ayad Akhtar’s Disgraced 
By Torange Yeghiazarian 
Arab Stages, Volume 2, Number 2 (Spring 2016)
©2016 by Martin E. Segal Theatre Center Publication

“I can’t help but feel conflicted when I hear Muslim audience members outraged at the way they …

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Development of Diegetic Practices in Iranian Indigenous Performances: A Historical View

Development of Diegetic Practices in Iranian Indigenous Performances: a Historical View
By Mohammad J. Yousefian Kenari and Parastoo Mohebbi
Arab Stages, Volume 5, Number 1 (Fall, 2016)
©2016 by Martin E. Segal Theatre Center Publication

Performance Traditions and Narrative

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Bubbles and Balloons: The Amman Theatre Festival (1995)

Bubbles and Balloons: The Amman Theatre Festival (1995) 
By Nehad Selaiha
Arab Stages, Volume 6, Nehad Selaiha Memorial Issue (Spring, 2017)
©2017 by Martin E. Segal Theatre Center Publication

The real drama in this festival, which lasted from March …

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From Street to Stage: Hip-hop, the History of an Artification through the Example of Farid Berki

From Street to Stage: Hip-hop, the History of an Artification 
through the Example of Farid Berki
By Omar Fertat
Arab Stages, Volume 7 (Fall, 2017) 
©2017 by Martin E. Segal Theatre Center Publications

This essay follows my interests in …

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A Feminist Tuberculosis Melodrama: Melek By Theatre Painted Bird

A Feminist Tuberculosis Melodrama:
Melek By Theatre Painted Bird
By Emre Erdem
Arab Stages, Volume 2, Number 1 (Fall 2015)
©2015 by Martin E. Segal Theatre Center Publications

Founded in 2000 by Jale Karabekir and Zeynep Kaçar, Tiyatro Boyalı

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Abū-l-ʿIlā al-Salāmūnī: the Rewriting of History in Egyptian Theatre

Abū-l-ʿIlā al-Salāmūnī: the Rewriting of History in Egyptian Theatre
An Essay by Tiran Manucharyan
Arab Stages, Volume 5, Number 1 (Fall, 2016)
©2016 by Martin E. Segal Theatre Center Publication 

 

The plays Riwāyat al-Nadīm ʿan hoogit al-zaʿīm (1974), …

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Great Art and Brave Hearts (1997)

Great Art and Brave Hearts
By Nehad Selaiha
Arab Stages, Volume 6, Nehad Selaiha Memorial Issue (Spring, 2017)
©2017 by Martin E. Segal Theatre Center Publication

Out of Joint plays Caryl Churchill’s Heart’s Desire and Blue Kettle at the …

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Oslo vs. The Accords: Examining the Global Consequences of Fractional Truths on Stage

J.T. Rogers’ Tony Award winning play, Oslo, gives us a front row seat to the secret backchannel negotiations that made the Oslo Accords possible. The Oslo Accords, signed in 1993 by representatives from both Israel and Palestine, offered hope …

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The Arab Theatre Festival (7th Session)

The Arab Theatre Festival (7th Session) by Jaouad Radouani
 Arab StagesVolume 1, Number 2 (Spring 2015)
 ©2015 by Martin E. Segal Theatre Center Publications

The Arab Theatre Festival is an annual event organized in a different Arab country …

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Much Ado About “Theatre and Censorship Conference”

Much Ado About “Theatre and Censorship Conference”
By Dalia Basiouny
Arab StagesVolume 2, Number 1 (Fall 2015)
©2015 by Martin E. Segal Theatre Center Publications

The churnings of the second decade of the 21st century resulted in social …

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Body Politics in Adham Hafez Company’s 2065 BC

Body Politics in Adham Hafez Company’s 2065 BC
By Chloë Edmonson
Arab Stages, Volume 2, Number 2 (Spring 2016) 
©2016 by Martin E. Segal Theatre Center Publication

New York Live Arts hosts the Live Ideas Festival each Spring under a …

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The Interwoven History of Moroccan Theatre

The Interwoven History of Moroccan Theatre
An Essay by Jaouad Radouani
Arab Stages, Volume 5, Number 1 (Fall 2016)
©2016 by Martin E. Segal Theatre Center Publication

 

The interwoven history of Moroccan theatre is difficult to trace. Yet, thanks …

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The 1919 Revolution in the Eyes of Modern and Contemporary Egyptian Theatre Directors: A Reflection of a Generation Gap

The 1919 Revolution in the Eyes of Modern and Contemporary 
Egyptian Theatre Directors: A Reflection of a Generation Gap
By Hadia abd el-fattah Ahmed
Arab Stages, Volume 7 (Fall, 2017) 
©2017 by Martin E. Segal Theatre Center Publications

Historical

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Yussef El Guindi’s Hostages: Thirty Years Later and Still Frighteningly Relevant

“You cheer your team when they score a goal, yes? You wave the flag, you cheer your troops … And after you cheer you switch off the TV and forget. You forget what has been done. For you. In your …

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Mass Media Muslims: A Three Lens Theory of Representation

Mass Media Muslims: 
A Three Lens Theory of Representation
By Jamil Khoury
Arab StagesVolume 2, Number 1 (Fall 2015)
©2015 by Martin E. Segal Theatre Center Publications

I think a lot about the representation of Muslims, particularly the …

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A Counterpoint Reading of the Moussem Cities@Tunis Festival

A Counterpoint Reading of the
Moussem Cities@Tunis Festival
By Joachim Ben Yakoub & Fida Hammami 
Arab Stages, Volume 2, Number 2 (Spring 2016)
©2016 by Martin E. Segal Theatre Center Publication

The censorship and strict regulation of the public sphere …

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Two Plays by Timberlake Wertenbaker: The Love of the Nightingale at the Women and Memory Forum and Our Country’s Good at the AUC (1998)

Two Plays by Timberlake Wertenbaker: The Love of the Nightingale at the Women and Memory Forum 
and Our Country's Good at the AUC *(1998)
By Nehad Selaiha
Arab Stages, Volume 6, Nehad Selaiha Memorial Issue (Spring, 2017)
©2017 by 
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From Dystopia to Utopia: Finding Hope in Now You Have A Trial by BGST

For a while, I have been interested in the ways how the contemporary theatre in Turkey deals with the current political situation, how theatre responds to and reflects the political turmoil which is being described with such language as “polarization,” …

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For Future Reference: Art and Politics (1999)

For Future Reference: Art and Politics (1999)
By Nehad Selaiha
Arab Stages, Volume 6, Nehad Selaiha Memorial Issue (Spring, 2017)
©2017 by Martin E. Segal Theatre Center Publication

In the Arab world, where repressive authoritarianism, in varying degrees of …

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We are talking about Contemporary Theatre and Politics in Turkey

Upon looking at Turkey from afar one can see several negative processes.  The first thing that comes to our mind is imprisoned journalists, academics, politicians and artists. The Constitution which was passed after the 1980 coup still has the same …

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A Hair-‘razing’ Adventure: The Head of Mameluke Jaber (2000)

A Hair-'razing' Adventure: The Head of Mameluke Jaber (2000)
By Nehad Selaiha
Arab Stages, Volume 6, Nehad Selaiha Memorial Issue (Spring, 2017)
©2017 by Martin E. Segal Theatre Center Publication

Whoever said that we generally think in metaphors, which …

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Arab World Contributions to the Avignon Festival, 2019

The 2019 edition of the leading international theatre festival at Avignon offered two contributions from the Arab World among its featured presentations. These were Mahmoud & Nini , written and directed by Henri Jules Julien, from the Tarmac Theatre in …

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Young and Critical Voices of Turkey II: “We are here as we are and even if we are somehow failing, we keep working” Conversation with Onur Karaoğlu

By Eylem Ejder

This is the second part of a conversation series I initiated in June 2019 in order to make the young, creative and critical voices of theatre and performing arts in Turkey more visible and audible. I hope

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Refraction, against distortion. Recent tendencies on the Arab stage

By Daniela Potenza

While Egypt was still in revolt, especially in 2011, some plays emerged as a continuation of the revolution.[1] Acclaimed performances, such as Dalia Basiouny’s Solitaire, and Laila Soliman’s No Time for Art were sincere expressions …

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“Theatre—It’s Our Only Sanctuary” An Interview with Professor Sahar Assaf

By Michael Malek Najjar

Lebanon has been struggling with difficulties since the Taif Agreement (also known as the National Reconciliation Accord) was reached, effectively ending the decades-long Lebanese Civil War in 1989. Since that time, there have been several calamitous …

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Nehad Selaiha (1945-2017): On Egyptian and International Theatre Free PDF’s of Five Volumes of Theatre Criticism + Sample Essays

The Egyptian scholar Nehad Selaiha, who died in 2017, has long been recognized as the leading theatre critic of the Arab World.  In 2003 and 2004 she selected around 300 out of the several thousand essays on Arab and international

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The Third Identity: An Interview with Tareq Abu Kwaik

The Third Identity: An Interview with Tareq Abu Kwaik
An Interview by George Potter
Arab Stages, Volume 5, Number 1 (Fall, 2016)
©2016 by Martin E. Segal Theatre Center Publication

 

Before touring internationally with the band 47 Soul

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Manifold Oedipus: Sophocles’ Oedipus Rex at the National (2001)

Manifold Oedipus: Sophocles' Oedipus Rex at the National (2001)
By Nehad Selaiha
Arab Stages, Volume 6, Nehad Selaiha Memorial Issue (Spring, 2017)
©2017 by Martin E. Segal Theatre Center Publication

The earliest record of a production of Sophocles’s Oedipus

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The Theatrical Work Mchouga-Maboul: A Plunge into Moroccan Memory

The Theatrical Work Mchouga-Maboul: A Plunge into Moroccan Memory
By Lalla Nouzha Tahiri
Arab Stages, Volume 7 (Fall, 2017) 
©2017 by Martin E. Segal Theatre Center Publications

The author of this work is playwright Simon Elbaz, who is a native …

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Middle Eastern Representation at the Brussel’s Kunstenfestivaldesarts, 2019

The Kusntenfestivaldesarts 2019 (Brussels) hosted several shows from Middle Eastern artists this year.  Reflecting and sensitivity to presenting a diversity of shows from different cultures, shows from the Middle East are presented in each edition of this festival. They are …

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Chasing the Gaze of the Killer: Rabih Mroué’s The Pixelated Revolution

Chasing the Gaze of the Killer: Rabih Mroué’s The Pixelated Revolution
An Essay by Mara Valderrama
Arab Stages, Volume 5, Number 1 (Fall 2016)
©2016 by Martin E. Segal Theatre Center Publication

 

When a wave of popular uprisings known …

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Royal Buffoonery: King Lear at the National (2002)

Royal Buffoonery: King Lear at the National (2002)
By Nehad Selaiha
Arab Stages, Volume 6, Nehad Selaiha Memorial Issue (Spring, 2017)
©2017 by Martin E. Segal Theatre Center Publication

Any production of a revered classic, particularly in a cultural …

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On Ajoka: An Interview and In Memoriam

An Interview conducted by Fawzia Afzal-Khan, 
with Shahid Mahmood Nadeem and Sohail Warraich of Ajoka Theatre, 
March 28th 2018.
By Fawzia Afzal Khan
Arab Stages, Volume 8 (Spring, 2018) 
©2018 by Martin E. Segal Theatre Center Publications

The interview

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قطوف من حدائقها

قطوف من حدائقها
By Sana' Selaiha
Arab Stages, Volume 6, Nehad Selaiha Memorial Issue (Spring, 2017) 
©2017 by Martin E. Segal Theatre Center Publication

قطوف من حدائقها
كتب: سناء صليحة

عقب انتهاء أول ندوة جلست فيها على المنصة لمناقشة …

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Al-Marakbi and Ceaseless Visibility: The Creation of “Docile Bodies” and a “Disciplinary Society”

“When asked about his opinion on the phenomenon of ‘political control of a population,’ Foucault responded, “. . .power had to gain access to the bodies of individuals, to their acts, attitudes, and modes of everyday behavior . . .

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Conducting a Theatre Workshop for Syrian Refugees at Berlin’s Tempelhof Center

Conducting a Theatre Workshop for Syrian Refugees at Berlin’s Tempelhof Center
An Essay  by Fadi Fayad Skeiker       
Arab Stages, Volume 5, Number 1 (Fall 2016)
©2016 by Martin E. Segal Theatre Center Publication

 

Thanks to Alexander Shroeder, a theatre …

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نهاد صليحه وصورة الناقد الحداثي

نهاد صليحه وصورة الناقد الحداثي
By Mohammad Samir Al-Khatib
Arab Stages, Volume 6, Nehad Selaiha Memorial Issue (Spring, 2017)
©2017 by Martin E. Segal Theatre Center Publication

نهاد صليحه وصورة الناقد الحداثي
كتب د.محمد سمير الخطيب

بعد حقبة الخمسينيات …

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The Village of Tishreen

The Village of Tishreen
A Review by Ahmad Mahfouz
Arab Stages, Volume 5, Number 1 (Fall, 2016)
©2016 by Martin E. Segal Theatre Center Publication

The Village of Tishreen is one of the most important modern political plays, not …

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My First Encounter with Nehad Selaiha

My First Encounter with Nehad Selaiha
By Katherine Hennessey
Arab Stages, Volume 6, Nehad Selaiha Memorial Issue (Spring, 2017) 
©2017 by Martin E. Segal Theatre Center Publication

I don’t write reviews exactly; they’re supposed to be reviews of the

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The One and Only: Nehad Selaiha

The One and Only: Nehad Selaiha
By Nora Amin
Arab Stages, Volume 6, Nehad Selaiha Memorial Issue (Spring, 2017) 
©2017 by Martin E. Segal Theatre Center Publication

The following is not an obituary nor is it a testimony about

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The Godmother, Obituary: Nehad Selaiha (1945-2017)

The Godmother, Obituary: Nehad Selaiha (1945-2017)
By Ati Metwaly
Arab Stages, Volume 6, Nehad Selaiha Memorial Issue (Spring, 2017) 
©2017 by Martin E. Segal Theatre Center Publication

This article was first published in Al-Ahram Weekly

On January 6th

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In Memoriam: Nehad Selaiha

In Memoriam: Nehad Selaiha
By Karen Malpede
Arab Stages, Volume 6, Nehad Selaiha Memorial Issue (Spring, 2017) 
©2017 by Martin E. Segal Theatre Center Publication

Nehad Selaiha was the sort of theatre writer artists crave and need if we …

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A Dialogue about Before Dinner

A Dialogue about Before Dinner Between Playwright Yasser Abu Shaqra and Translator Faisal Hamadah May, 2016
Edited and Translated from the Arabic by Faisal Hamadah
Arab StagesVolume 5, Number 1 (Fall 2016)  
©2016 by Martin E. Segal Theatre 
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