My Papers Weren’t Done?(original title: Wara’ī mā khalassh?) 2017, by the Egyptian theatre company Outa Hamra (Red Tomato). Courtesy: Festival d’Avignon.
Volume 11, Fall 2019
Table of Contents:
- In Memoriam: Sami Abdul-Hamid
- Humanism through performative arts: A comparative study of My Papers Weren’t Done? and Zapi Rouge by Daniela Potenza
- We Live in Cairo by Margaret Litvin
- Laugh Till/When You Die: The Throes of Tahrir Square by Karma Sami
- Oslo vs. The Accords: Examining the Global Consequences of Fractional Truths on Stage by Marina J. Bergenstock
- Yussef El Guindi’s Hostages: Thirty Years Later and Still Frighteningly Relevant by Michael Malek Najjar
- From Dystopia to Utopia: Finding Hope in Now You Have A Trial by BGST by Eylem Ejder
- We are talking about Contemporary Theatre and Politics in Turkey by Handan Salta and Eylem Ejder
- Arab World Contributions to the Avignon Festival, 2019 by Marvin Carlson
- Middle Eastern Representation at the Brussel’s Kunstenfestivaldesarts (2019) by Manuel García Martínez
- Events from the Arab/Islamic World at the 2019 PRELUDE Festival, New York by Jacquelyn Marie Shannon and Dohyun Gracia Shin
- Al-Marakbi and Ceaseless Visibility: The Creation of “Docile Bodies” and a “Disciplinary Society” by Dina Amin
- Review of Modern and Contemporary Political Theater from the Levant: A Critical Anthology by Ibrahim Areeg
- The Boatman: A Play by Sameh Mahran | Translated by Dina Amin
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