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AB: Beit Byout by Tahweel Ensemble Theatre in Beirut

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Essays

  • Khalid Amine & Marvin Carlson – Tayeb Saddiki and the Re-invention of Tradition in Contemporary Moroccan Theatre: An Obituary
  • Ziad Adwan – The Local Otherness: Theatre Houses in the United Arab Emirates
  • Michael Malek Najjar – Yussef El Guindi’s Arab Spring – Revolutions, Upheavals, and Critical Critiques
  • Torange Yeghiazarian – On Ayad Akhtar’s Disgraced
  • Jamil Khoury – Parsing Disgraced: An Assault, A Critique, and A Truce
  • Chloë Edmonson – Body Politics in Adham Hafez Company’s 2065 BC
  • Joachim Ben Yakoub & Fida Hammami – A Counterpoint Reading of the Moussem Cities@Tunis Festival

Reviews

  • Marvin Carlson & Philippa Wehle – The Last Supper by Ahmed El Attar
  • Margaret Litvin – Arab Angst on Swedish Stages
  • Heather Denyer – Heather Raffo’s Noura in Progress
  • Sarah Moawad – Two Egyptian Playwrights in Boston: Hany Abdel Naser’s They Say Dancing is a Sin and Yasmeen Emam’s The Mirror
  • Torange Yeghiazarian – On Michael Najjar’s direction of Scorched by Wajdi Mouawad
  • Michael Malek Najjar – AB: Beit Byout by Tahweel Ensemble Theatre in Beiruth
  • Safi Mahmoud MahfouzReview of Four Arab Hamlet Plays by Marvin Carlson & Margaret Litvin (eds.)

Short Plays

  • Hamed Almaliki – The Cart
  • Ali Abdulnebbi Al Zaidi – Rubbish
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