Volume 7

The 2016 Journées Théâtrales de Carthage

The 2016 Journées Théâtrales de Carthage
By Marvin Carlson
Arab Stages, Volume 7 (Fall, 2017)
©2017 by Martin E. Segal Theatre Center Publications

One of the most highly respected theatre festivals of the Arab world is the Journées Théâtrales …

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Jawad Al-Assadi’s Women in War: Troubling, Troubled and Troublesome Female Refugees

Jawad Al-Assadi’s Women in War: Troubling, Troubled and Troublesome Female Refugees
By Hadeel Abdelhameed
Arab Stages, Volume 7 (Fall, 2017)
©2017 by Martin E. Segal Theatre Center Publications

Women in War (first published in 2003) is a play written …

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A Drama of Unlived Stories: Old Child by GalataPerform

A Drama of Unlived Stories: Old Child by GalataPerform
By Eylem Ejder
Arab Stages, Volume 7 (Fall, 2017) 
©2017 by Martin E. Segal Theatre Center Publications

Founded in 2003 by Yeşim Özsoy, GalataPerform is one of the foremost theatre …

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From Street to Stage: Hip-hop, the History of an Artification through the Example of Farid Berki

From Street to Stage: Hip-hop, the History of an Artification 
through the Example of Farid Berki
By Omar Fertat
Arab Stages, Volume 7 (Fall, 2017) 
©2017 by Martin E. Segal Theatre Center Publications

This essay follows my interests in …

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Shahid Nadeem’s Acquittal in New York

Shahid Nadeem’s Acquittal in New York
By Marvin Carlson
Arab Stages, Volume 7 (Fall, 2017)
©2017 by Martin E. Segal Theatre Center Publications

Acquittal, a 1987 play by Shahid Nadeem, Pakistan’s leading playwright, was presented in New York …

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The 1919 Revolution in the Eyes of Modern and Contemporary Egyptian Theatre Directors: A Reflection of a Generation Gap

The 1919 Revolution in the Eyes of Modern and Contemporary 
Egyptian Theatre Directors: A Reflection of a Generation Gap
By Hadia abd el-fattah Ahmed
Arab Stages, Volume 7 (Fall, 2017) 
©2017 by Martin E. Segal Theatre Center Publications

Historical

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The Mysteries Behind a Silenced Voice: Review of Betty Shamieh’s The Strangest

The Mysteries Behind a Silenced Voice: 
Review of Betty Shamieh’s The Strangest
By Juan R. Recondo
Arab Stages, Volume 7 (Fall, 2017)
©2017 by Martin E. Segal Theatre Center Publications

Semitic Root’s production of Betty Shamieh’s The Strangest, …

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Iranian Theatre as Means of Intervention: The Intercultural Discourse in Hey! Macbeth, only the first dog knows why it is barking!

Iranian Theatre as Means of Intervention: The Intercultural 
Discourse in Hey! Macbeth, only the first dog knows why it 
is barking!
By Sepideh Shokri Poori
Arab Stages, Volume 7 (Fall, 2017)
©2017 by Martin E. Segal Theatre Center Publications
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Why are we here now? Mohammed al Attar’s work Aleppo. A Portrait of Absence

Why are we here now? Mohammed al Attar's work 
Aleppo. A Portrait of Absence
By Christel Weiler
Arab Stages, Volume 7 (Fall, 2017)
©2017 by Martin E. Segal Theatre Center Publications

For a period of three weekends in the fall …

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The Theatrical Work Mchouga-Maboul: A Plunge into Moroccan Memory

The Theatrical Work Mchouga-Maboul: A Plunge into Moroccan Memory
By Lalla Nouzha Tahiri
Arab Stages, Volume 7 (Fall, 2017) 
©2017 by Martin E. Segal Theatre Center Publications

The author of this work is playwright Simon Elbaz, who is a native …

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The 24th Cairo International Festival for Contemporary and Experimental Theatre

The 24th Cairo International Festival for Contemporary 
and Experimental Theatre
By Marvin Carlson
Arab Stages, Volume 7 (Fall, 2017) 
©2017 by Martin E. Segal Theatre Center Publications

Long-time observers of the Cairo Theatre scene will remember that in 2011, after …

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